Waiting for someone, especially someone you love or want to make love to can be torturous. Time seems to stand still when you’re waiting on a friend. On the cover of Street Legal Dylan looks like he’s waiting for someone or perhaps to go meet someone himself. But for being up on a hill, that cover is a good visualization for the waiting going on in “Hazel.” He is still waiting by the end of the song, but in the third verse of four, he complains not about waiting but about his lover still not being where he is:
Oh no, I don’t need any reminder
To know how much I really care
But it’s just making me blinder and blinder
Because I’m up on a hill and still you’re not there
The long i has it in this verse, but that dominance just makes the presence of the short i internal rhyme of “hill”/”still” stand out more. How much longer? How long has this waiting been going on? Well, long enough to feel like he’s going blind from looking for Hazel from the top of the hill she’s not on . . . yet. Does she get there? We never know . . . we are left with him playing the waiting game, forever still waiting:
Hazel, you called and I came
Now don’t make me play this waiting game
You’ve got something I want plenty of
Ooh, a little touch of your love
Now don’t make me play this waiting game
You’ve got something I want plenty of
Ooh, a little touch of your love
I love how Dylan sings, “Ooh, a little touch of your love . . . an outtake of “Hazel” from the 1994 MTV rehearsals: